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A collaboration between Man Ray and Henri Chomette,, half-brother of the filmmaker René Clair.
An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father, pieces of Michel's first films shot in the Balearic Islands and in Athens, contemporary images with Teo Hernandez, to stolen dialogues between his mother and and his aunt, recorded without their knowledge. The author is the spider, at the center of a device that allows him to survive: he has woven the threads of his own web and is now in control of his personal situation.
A film poem by Gérard Courant.
Léon is old, his body is letting him down. And so he sleeps. Yet above all, Léon dreams. Of love and sausages, of freedom and running wild. A real dog’s life.
Summer in the suburbs. Between two massive towers, aeroplanes trace thin threads of cotton. Two young sisters run away. Dream? Reality? The film unfolds like a philosophical tale, in which off camera voices punctuate the thoughts of children on the verge of growing up. Somewhere between a Western and a fantasy film, this waking dream marks the passage from childhood to adolescence.
Memory of what belongs to the invention of cinema. the film is a single shot to be shown in any order and size (Normal or scope) made in eight hours with a machine that conceptualizes light.
Meanderings through a city and associations between sequences of animals enclosed in zoos and their depiction in furniture and objects. Notes on language customs, confinement, abnormal behaviour, nostalgia for savagery, a museum of natural history and male-female relations. Filmed in Super 8 and video, this tape was produced after the famous case of a Japanese cannibal that rocked the Parisian media.
